teoria armonia funcional 1 nestor crespo

'On some special classes of contact B_0-VPG graphs' DISCRETE APPLIED MATHEMATICS Volume 308, (2022): 111-129.įlavia Bonomo-Braberman, Carolina Lucía Gonzalez. This exegesis contains (1) descriptive analysis of improvisation contained within a broad cross-section of Mehldau’s music (2) definition of a new analytical lexicon derived from a holistic study of consonance, dissonance, and research into perceived motivation in music and (3) prescriptive musical tools relating to consonance and dissonance that have informed the researcher’s performance.Flavia Bonomo, María Pia Mazzoleni, Mariano Rean, Bernard Ries. Non-academically oriented jazz writers and fans have consistently assigned these works vanguard status, but Mehldau’s output has not yet been sufficiently examined to prescribe performance methods. Among the most recent examples of this evolution, the works of Brad Mehldau as a solo/ensemble pianist and as a composer arguably embody some of the most compelling innovations in the field. As is the case for other genres, musicological analytic research on jazz evolution has lagged behind its practice consequently, there is a paucity of in-depth descriptive and analytic research on the music of recent innovators. Jazz has steadily evolved from its inception in the late 19th century to the present. It is worth underlining how the description of CAT herein provided is to be considered as being merely qualitative, since the formal definition of the transformations would require the usage of an extremely rigorous notation, elsewhere exploited in order to introduce the so-called Music Algebra. The above-mentioned transformations, nothing but particularized inverse chord substitutions, arise from the analisis of a considerable number of traditional jazz compositions, carried out by accurately examining the so-called LEGO Bricks. The method is primarily based upon the application, carried out by following a specific order, of a set of transformations, named CAT (Cataldo advanced Transformations), by means of which any harmonic progression may be converted into a mere sequence of plagal and perfect cadences. In this article we briefly introduce an original method, the purpose of which fundamentally lies in providing musicians with a reliable instrument that may effectively assist them in carrying out the chord progressions analisys.

Teoria armonia funcional 1 nestor crespo